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Embassy of the Republic of Uzbekistan in Japan

The Cultural Heritage of Uzbekistan: The Unity of Spirituality and Beauty Conquers and Unites the World Community



The VII International Congress, titled "Cultural Heritage of Uzbekistan - the Foundation of a New Renaissance," unfolded in the historic city of Samarkand. Engaging distinguished orientalists from around the globe, this yearly gathering was orchestrated to systematically amass information on the masterpieces originating from our land. These treasures are meticulously preserved in libraries, museums worldwide, and even in private collections, contributing to the collective cultural wealth.

Geographically situated at the crossroads of caravan routes, Uzbekistan has a rich historical tapestry woven by the influences of various cultures over millennia. In 2018, the World Society for the Study, Preservation, and Popularization of the Cultural Heritage of Uzbekistan was established through the collaborative efforts of prominent oriental scholars. During its annual congresses, society members convene to deliberate on the outcomes of their endeavors and formulate plans for the future. Presently, the organization serves as a nexus, uniting experts from numerous countries in a shared commitment to the cultural legacy of Uzbekistan.

In the recent timeframe, aided by the collaboration of hundreds of local and international specialists, the "Cultural Heritage of Uzbekistan" series has successfully released 60 volumes. These publications encompass valuable information concerning the distinctive heritage of the republic, meticulously conserved in collections across nations. An additional ten book albums from this series are slated to be unveiled at the 2023 convention, further enriching the comprehensive exploration of Uzbekistan's cultural legacy.

As observed by attendees of the event, Uzbekistan entices visitors with the opportunity to embark on a historical journey. Throughout history, these lands have held strategic significance, a fact underscored by the exhibitions hosted on the sidelines of the Congress. Notably, the vernissage curated by the Hungarian Academy of Sciences pays homage to Arminius Vambery, a distinguished orientalist. During his visit to Central Asia in the 19th century, Vambery played a pivotal role as one of the first individuals to enlighten the Western world about the burgeoning culture and scientific advancements in the East. This, in turn, facilitated the establishment of a robust collaboration founded on mutual respect and a shared commitment between the two regions towards creativity and comprehensive development.

The congress drew the participation of approximately 300 oriental scientists hailing from over 40 countries. This diverse assembly comprised directors of both international and national museums, esteemed academicians, as well as accomplished professors and doctors of science.

A memorandum has been formally executed, signaling the establishment of the Union of Cinematographers of TURKSOY Countries. This agreement focuses on the active involvement of the heads of film organizations from these nations in the congress, emphasizing the presentation of innovative film projects dedicated to promoting their rich heritage.

As outlined in the memorandum, plans are underway to inaugurate animation schools in Tashkent, Nukus, and Bukhara in the near future. The closing ceremony of the VII Congress featured the unveiling of promotional videos and footage from the filming of projects centered on historical figures such as Avicenna, Marco Polo, and Mirzo Ulugbek. Directors and producers shared insights into the narrative, with a particular focus on Polo's life in Venice and his explorations through contemporary Uzbekistan.

Notably, the conclusion of the VII Congress witnessed the acceptance of an appeal from members of the World Society for the Preservation, Study, and Popularization of the Cultural Heritage of Uzbekistan. This appeal was directed to the President of the Republic of Uzbekistan.



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